《黄锐：艺术人生》Part 10 自然观 View of the Nature

老子说：“人法地，地法天，天法道，道法自然。”这也是黄锐几十年来一贯为之的宗旨。与塑造神话和幻梦的流行艺术相反，黄锐以抽象精神反映世界。他说：“发展愈加自由的抽象表现，矩以愈加原始的自然法则。”这个房间里都是黄锐近年创作的作品：《自然观》是以主观的易学框架预设的，它们的另一部分是正在UCCA展出的《宇宙观》；《石庭观月》则是对日本禅文化的结晶——禅宗寺院枯山水的再塑造。

According to Lao Tzu, “Man takes his law from the Earth. Earth takes its law from Heaven. Heaven takes its law from the Tao. The law of the Tao is its being what it is.”(translated by James Legge) This is what Huang Rui has been working on for decades, reflecting the world in an abstract spirit as opposed to the popular art that features myth and fantasy. He said, "developing freer abstract expressions ruled by a more primitive law of nature." This room is filled with Huang Rui’s recent works: View of the Nature presupposed in the subjective framework of Yi-ology, and the other part View of the Universe is currently on display at the UCCA. View of the Moon in The Stone Court is the crystallization of Japanese Zen culture -- a recreation of the dry landscape in the Zen temple.

在这些作品里，既可以观察虚与实的道家审美观，又可以把玩自然山水、禅家山水、道家山水表现的相互穿越。

In these works, one can not only observe the Taoist aesthetics of the virtual and the real, but also play with the crossovers among the landscape of the nature, the Zenist and the Taoist.